The quest for the blue arrow

Common kingfisher on a branch in a pond in la Dombes, France.
Common kingfisher on a branch in a pond in la Dombes, France.

Walking near a pond or stream, many of us have seen a bright blue bird, like a blue arrow, speed by, and heard an unusual cry, ‘tchiii,' as it passed. If you’ve ever wondered what it was, it was a common kingfisher. However, the name is inappropriate for one of the most fascinating wetland birds in France. After two years of disappointed hopes and waiting in vain, we had the chance to photograph two of these birds at the same time, only a few hundred yards apart. It was a miracle such as only nature knows how to deliver, and such as only comes to those who wait.

The Holy Grail of wetland photography

For years, we have loved beauty wherever it is found in nature, and wetlands are rich in it. They are full of hidden treasures and wonderful wildlife. Two wetland birds, the purple heron and the common kingfisher, have especially fascinated us. We love their coloring, their habits, and the way they fly. We spent long hours trying to photograph these birds. Our quest for the heron had been successful on several occasions. The common kingfisher, however, continued to elude us.

Kingfishers are very territorial birds and also creatures of habit. They consistently fish in the same places, and take the same paths to those places. The problem is that one kingfisher can have a very large territory, and a large number of fishing spots.

To find a kingfisher, you have to start by locating a very clean stream or pond. The presence or absence of kingfishers is an excellent way to determine the quality of the water. We have never seen one anywhere near a polluted area. The next clue is the kingfisher’s distinctive call: ‘tchiii’. It is specific to the species and very unusual. Once you have found a bird’s territory, the long hunt with binoculars begins. You have to find the bird’s fishing spots, and the branches where it perches to wait for its prey. They are generally quite high up, because the kingfisher needs a certain velocity to dive into the water. If the branch is too low, then it will fly up for a short distance before diving.

Once you find the branch or branches, things get a bit easier. All you have to do is set up your blind. However, you have to put it somewhere that it won’t frighten the bird. A change in a kingfisher’s environment can make it suspicious, and it may stop coming to that place. We know this from personal experience.

For example, in 2013, we waited by a pond for a week. We had discovered that a couple of birds nested in one of the banks, and had found the branch where they perched when they were hunting. After we set up our blind, the kingfishers flew past us, taunting us, but they never alighted on that branch. So, it takes time to learn how to photograph kingfishers.

The advantage of using a blind is that we can set up our composition exactly the way we want. The disadvantage is that we can wait for hours or days and not see anything.

A remarkable bird protected since 1981

The common kingfisher has been protected in France since 1981. You cannot catch it, hunt it, or even pick it up when it is dead. Its feathers are blue on the back and red and white below. It can weigh up to 1½ ounces. The sparkling blue of its feathers gave it the nickname “the blue arrow”.

It waits on a branch for its prey, dives steeply into the water to seize it, and leaves the water again immediately. It often stops again on the branch to knock out its fish before either swallowing it or returning to its burrow.

Two kingfishers photographed at the same time on a pond in La Dombes

We were working on a wildlife photography project with a group of other photographers in La Dombes, known as the region of a thousand lakes, a little to the north-east of Lyon. After two days of taking pictures from floating hides on ponds, one of the other photographers told us that he managed to photograph a kingfisher. Immediately, all of the excitement of the search came back to us. Could our long hunt really be over? Could we finally take the picture we had wanted for two years? He kindly agreed to show us the place. He knew that it was important to us. The next day, after a meeting with the other photographers, I found myself in a floating hide near the tree where the other photographer has seen the evasive bird. Isabelle had given me the chance to be alone. She chose to wait in a second blind, a few hundred yards away, in order not to disturb me. My 500 mm lens was fixed on the branch where the kingfisher had been seen yesterday. The camera’s position was set. I had already adjusted the focus so that, when I saw the bird, I could take a picture without waiting for autofocus.

I’d been waiting for 3 hours, kneeling in 8 inches of water, and I was very stiff. That is a long time to stay perfectly still, but I couldn’t move, because the bird could appear any instant. I was beginning to despair. Perhaps the time wasn’t right yet. It felt as though we were pursued by a curse. However, I was not ready to give up yet. The bird had there yesterday. Besides, this was a short-lived opportunity. The weather would be bad in the afternoon, and tomorrow, the forecast showed rain.

Suddenly, I heard a splash, right next to my blind. I looked through the crack in front, and I saw a kingfisher standing on a root. I turned my camera towards it and tried to adjust the focus, but it was less than 5 yards away — too close for my lens. The bird remained a blur in my viewfinder despite my best efforts. I had been stuck in the mud for hours, and I couldn’t move the blind back. Even if I could, it would probably frighten the bird away. Suddenly, I saw the bird fly to the branch where I was originally aiming. I refocused the camera as fast as I could, but I was too late. The kingfisher dove. For two interminable seconds, I saw nothing. Then, it reappeared, with a minnow in its beak, and slammed it on the branch to knock it out. I took as many pictures as I could. I barely had time to move my camera back. I was very excited. Then, the kingfisher flew off to his nest again, taking the fish to his offspring. I kept waiting for two more hours, but nothing happened.

Around 1 in the afternoon, I decided to return to the shore, 300 yards away. I was stiff, but, when I checked the photos, I was very happy. They were good.

As I went to look for Isabelle, who was on the other side of the pond, I walked with a light step, despite my waders and the 7 pounds of gear I was carrying. I couldn't wait to tell her the good news. We had waited so long for this.

As she waded to the shore, I saw from her face that she had had an exceptional photo session. I asked her what happened. She looked at me, her eyes sparkling with joy, and said she photographed a kingfisher. It was incredible — she, too, had seen the holy grail of wetland photography. She had taken 15 superb photos. I couldn’t believe it.

She explained that she was photographing two gray-crowned night herons when a kingfisher landed a few meters away from her. It was an incredible stroke of luck. At first, we thought that we had photographed the same bird twice, but the truth was even more remarkable. When we looked at the photos on the computer, we realized that we took our pictures at the same time. There is no doubt about it — we photographed two male kingfishers at the same time, on the same pond. The likelihood of something like this happening is extremely low. It was an amazing opportunity.

Common kingfisher with a minnow in its beack on a branch in a pond in la Dombes, France.
Common kingfisher with a minnow in its beack on a branch in a pond in la Dombes, France.

Common kingfisher on a branch in a pond in la Dombes, France.
Common kingfisher on a branch in a pond in la Dombes, France.

The hardest task remains to be done

As we made our way back towards the house where we are staying with the other photographers, we did not talk about what had just happened. We were too happy. We had tried and tried to get these photos, and we had finally achieved our goal. However, we have now laid an even harder task for ourselves: photographing a kingfisher in the Charente-Maritime, our home district. This goal remains one of the cornerstones of our photo projects in that region.

 

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We continually update our website with new and exciting features! As professional photographers of wildlife, underwater scenes, and landscapes, this mainly pertains to information about our work, as well as adventures we embark upon. Our professional photography blog is particularly written for photographers who are interested in discovering innovative doors of creativity through the medium of nature photography.


 

 

Amar and Isabelle Guillen. Professional Photographers of nature.

We are fascinated and passionate about the beauties of nature. We love to see the landscapes and observe wild animals whether on land or underwater. We have chosen to become professional photographers to share the emotions we feel when we observe nature whether it be on land or underwater. Our goal is to create art with our photographs. We always try to transform the banal into a contemplative and artistic interpretation.

We are wildlife professional photographers, landscape professional photographers and underwater professional photographers. We also strive to document nature with a focus on conservation and education.

We make art prints from our artistic photographs. These art prints are available on our website. We make exhibitions to show all the beauties and the incredible richness of nature that surrounds us.

We also love to share our love for the beauties of nature with other photographers. To communicate our know-how and to exchange our techniques and our points of view, we organize wildlife photography workshops, underwater photography workshops and landscape photography workshops. We gather together people who have the same passion as us for the beautiful photographs taken in nature.

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