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You are in that section: Home > Blog > Blog of the Photographic Creation Approach

3 Pitfalls to Overcome to Assume Your Status as a Photographer Artist

I often meet photographers who do not dare to admit that they are artists. They gladly apply this term to others but not for themselves. It is as if this word was taboo.

I have also experienced this discomfort. Nevertheless, I have defeated my demons. I do not hesitate to claim this status. To reach this level of self-acknowledgement, I learned to accept three simple concepts that led me to find my place in the world, assuming the role that defines me.

This fine art photograph of the Canyonlands is artistic.
This fine art photograph of the Canyonlands is artistic.

Table of Contents

    Page 1

  • How to Define the Word “Artist”
  • The Artist Status is Primarily a Social Status
  • The First Pitfall to Overcome: Accepting Independent Self-Teaching
  • The Second Pitfall to Overcome: The Vision of Others
  • The Third Pitfall to Overcome: Comparison to Others
  • Page 2

  • The Method That Encouraged Me to Assume My Status
  • The Development of Passion
  • The Development of Creativity
  • The Way of Being
  • Finally

How to Define the Word “Artist”

There are several definitions of the word “artist”.

In the most general sense, the definition found in the dictionary states:

"An artist is a person who has a sense of beauty and is able to create a work of art."

However, I never use this definition, as it is too broad a term.

I prefer this definition from Wikipedia.

"An artist is a person doing works, cultivating or mastering an art, a knowledge, a technique and whose creativity, poetry, originality of his production, his actions, his gestures, among others. His works are sources of emotions, feelings, reflection, spirituality or transcendence”.

The Artist Status is Primarily a Social Status

Why is it so easy to tell others that you are an engineer, a doctor, or a lawyer, when a photographer often has the greatest difficulty in saying that he is an artist?

The reason is quite simple. There is no training to become an artistic photographer or for any other artistic form. There is no school. An artist is defined either by the audience surrounding him, other photographers, or by himself. The status of artist is decreed.

While it is true that artistic photography and all other artistic disciplines are taught in different grades, but the diploma awarded is that of photographer. The artistic qualification is not mentioned.

Photography is never seen as an artistic discipline but as a technical discipline. Photography students learn how to use a camera, how to use light to get the correct exposure for an image, and how to get special effects like bokeh or zooming. But photography is never considered under an artistic aspect as described in this article. I have written that photography is an art form that allows a person to express their emotions, feelings or to convey messages.

By the end of a photography training, a person has learned how to become a photographer. But what does it take to add the word artist? The answer is simple. Either the person will be recognized by their peers based on the photographic works created, or he will adopt this artistic status.

Becoming a Photographer Creates a New Social Status

I believe that an artistic photographer must overcome three pitfalls in order to be well defined in assuming his role in society.

The First Pitfall to Overcome: Accepting Independent Self-Teaching

The first stumbling block to accepting oneself as an artist photographer is to say that photographic art is not necessarily taught in school or textbooks. Instead, it is often taught by the photographer himself, and new concepts are learned by this same photographer.

Generally, the arts being taught scholastically are very subjective. Since art has existed, no one has been able to create a definition that truly encapsulates the essence of what art is. It is a very malleable and morphic idea. The definition and perception of photographic art depends on the era, the style, and the surrounding society’s state of mind. What is taught in the arts depends entirely on the societal context.

I believe that it is not necessary to have an “artistic training” from an academic standpoint, to be able to claim the status of being an artist.

Having taken studies or a photographic course is not a necessary condition to define oneself as an artist. As far as I am concerned, I have computer engineering training, and yet I am completely self-taught in the art of photography and I have assumed my status as photographer.

The Second Pitfall to Overcome: The Vision of Others

The second pitfall a photographer must overcome is his status as an artist. He must learn to ignore other’s negative comments and opinions concerning his artistic approach.

The vision of the general crowd of viewers may be completely subjective, thus it is a poor idea to think of these opinions as helpful.

Comments and opinions expressed by others are only interesting if they present a solid, logical argument that precisely deals with an issue or concern. This is often not the case.

Unfortunately, most photographers take frivolous remarks too seriously. They think that they cannot assume their status as an artist because a few individuals deny the validity of one or more of their works.

I think that, just like the first pitfall, these judgments, which are often presented in fragments, are subjective and unsupported. They lack authenticity.

The Third Pitfall to Overcome: Comparison to Others

A photographer who wishes to assume the status of an artist must learn to overcome the third pitfall. He must learn to avoid comparing his artistic approach and his creations to those of other artists, whether recognized or not. He may often think that his works are inferior. However, such thinking is false because the value of art is purely subjective. How is it that a difference in thinking is often equated to the false idea of inferiority? How can it be possible to compare two photographic artists who do not share the same artistic vision? What are the criteria for such opinions? Is it the turnover or number of works sold?

In the latter case, I believe that sales are primarily representative of the marketing qualities and commercial actions undertaken by a contractor. They are not directly related to the artistic work.

The Method that Allowed Is to Assume My Status

Why and How Photographing the Ethiopian Wolf from an Artistic Perspective

As described in this article, the Ethiopian wolf, also called the Abyssinian wolf, is a precious dream of many wildlife photographers. Indeed, it is very difficult to observe in its natural habitat. Moreover, photographing it artistically is an additional challenge. This is the challenge that I took on.

Artistic Photograph of an Ethiopian Wolf in the Highlands of Bale in Ethiopia.
Artistic Photograph of an Ethiopian Wolf in the Highlands of Bale in Ethiopia.

Table of Contents

    Page 1

  • An Endangered Species
  • Avoid Repetitive Photographs
  • Black and White is a Perfect Technique for the Ethiopian Wolf
  • Some Artistic Photographs of Ethiopian Wolves

An Endangered Species

The Ethiopian Wolf is the rarest canine in the world. Its total population is estimated to be between 400 and 450 individuals. The best place to observe and photograph it is certainly the Bale plateau in southern Ethiopia. Having a knowledgeable guide is essential due to the immense territory that each family claims as their own. Without a solid knowledge of the terrain, it is almost impossible to find them.

Despite everything, the landscapes of the Balé plateau lie in a desert region because the altitude is more than 4000 meters (13,100 feet). The cold and wind prevent large trees and vegetation from growing. With a pair of binoculars, it is easy to spot a loner or a family in the distance, which can then be photographed.

In the Simien Mountains, the observation area is even smaller because the wolves are expelled from their natural territory by farmers who claim land which was once natural grasslands.

Thus, to photograph Ethiopian wolves, one must take great time, patience, an excellent guide, and a stroke of luck.

Avoid Repetitive Photographs

My first trip to the Balé plateau was unfortunate for me. I experienced several challenges, and the photos were not what I had hoped for. However, during my second expedition, luck smiled upon me, even though I experienced the same weather conditions as the first time. However, in the second trip, I was able to observe and photograph wolves less than one hundred meters from my blinds.

Before my trip, I made serious preparations for my photo project dedicated to the wolves of Ethiopia. I analyzed all the photographs taken by other animal photographers. I took note of their successes and tried to interpret what made certain photos stand out from the others. I reached a crucial conclusion. All the pictures looked alike. This was because they were of a naturalistic or descriptive perspective.

Indeed, most photographers were happy to observe and photograph this rare animal. Due to the difficult weather conditions, simply creating photos was an achievement, much less accomplishing my artistic goals.

As far as I was concerned, I chose to be different. My goal was to create artistic photos to showcase this beautiful animal. However, I wanted to accomplish this goal in my style, which is shades of blacks and whites from an ethereal, dreamy approach. This is completely opposite of the images I analyzed, which used color to highlight the beauty of the coat or the color variations of the animal. I recognize that the mix of red and white is beautiful.

But why would one want to spend time reproducing that which has already been accomplished? As always, I wanted to be different by taking on a challenge.

Black and White is a Perfect Technique for the Ethiopian Wolf

As I have described in this article, black and white is a creative technique. Therefore, it is perfectly adapted to my project concerning the wolves of Ethiopia.

Just like my gelada collection, I wanted to create a timeless series, which cannot be attributed to a specific era. In addition, these black and white photos do not follow any current trends. I think this is an important asset for artistic photographs.

Black and white is synonymous with aesthetics. The pelts of the wolves of Ethiopia are sublimated by the contrasts of lights and their reflections.

I think I have succeeded. Wolves are highly popular and arouse interest, especially since they are an endangered species. I hope that these few photos will inspire people to invest in the preservation of the Ethiopian wolves’ environment.

Some Artistic Photographs of Ethiopian Wolves

Click on a thumbnail to enlarge it.

  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
  • Ethiopian Wolf in black and white. Amar Guillen, Photographer.
    Ethiopian Wolf in black and white
    Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    • Ethiopian Wolf in black and white
    Click Here To See Black and White Fine Art Print Collections.
    1. Why and How You Must Stepping Out of Your Photographic Comfort Zone to Create Interesting Photos
    2. Why and How Photographing Geladas from an Artistic Perspective
    3. 5 Steps to Master the Photographic Writing
    4. Why and How Mastering the Semiology in Photography

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    About Amar Guillen, Creator of Fine Art Prints of Nature
    As a photographer capturing the artistic essence for several decades, I have mastered the art of crafting an authentic experience for art enthusiasts and collectors of visual art.
    When I observe my surroundings, be it friends, family, relationships, or professional contacts, I see souls in perpetual motion. Every moment of their existence is engulfed by daily hassles, work concerns, social media, online or televised information streams, and videos on the web.
    Every minute, they strive to accomplish something, fearing losing ground and feeling marginalized in this frenzied society. Imprisoned by an oppressive schedule, the essential eludes them, drowned in the tumult of daily life. Is it really crucial to watch yet another cat video on the internet? Is it necessary to post twenty daily messages on social media?
    Despite this, they remain constantly stressed and anxious about the challenges of the world, without being able to influence these monumental problems. It is at this moment that my artistic nature photographs come into play. Those who have had the privilege of hanging one of my works in their personal or professional space have expressed a radical transformation in their lives.
    Every day, contemplating these works of art immerses them in tranquility, inner peace, and rediscovered serenity. They then understand that nature has the power to unravel tensions, to encourage reflection on the essential. Artistic photographs thus become open windows to the wonders of nature.
    I have chosen to share the best of myself by helping others discover their identity, personality, style, all while reconnecting with nature. Take the time to explore my artistic photographs if you wish to reveal your true essence. Once hung in your space, your view of the world will be transformed.
    Amar Guillen is a creator of fine art prints of nature.
    I am Amar Guillen, creator of nature art photographs. I have a deep conviction that contemplating nature has the power to transform human beings. If everyone learned to know, respect, and preserve nature, our world would be transformed into a haven of peace where everyone would find their place.
    Copyright © 2003 - 2026 Guillen Photo LLC - All rights reserved. Amar Guillen, professional photographer since 2003.
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